Robert rauschenberg education
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Rauschenberg with Stripper (1962) in his Broadway studio, New York, ca. 1962
Overview: Life and Art
Robert Rauschenberg’s art has always been one of thoughtful inclusion. Working in a wide range of subjects, styles, materials, and techniques, Rauschenberg has been called a forerunner of essentially every postwar movement since Abstract Expressionism. He remained, however, independent of any particular affiliation. At the time that he began making art in the late 1940s and early 1950s, his belief that “painting relates to both art and life” presented a direct challenge to the prevalent modernist aesthetic.
The celebrated Combines, begun in the mid-1950s, brought real-world images and objects into the realm of abstract painting and countered sanctioned divisions between painting and sculpture. These works established the artist’s ongoing dialogue between mediums, between the handmade and the readymade, and between the gestural brushstroke and the mechanically reproduced image. Rauschenberg’s lifelong commitment to collaboration—with performers, printmakers, engine
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Biography Robert Rauschenberg
1925 Born on 22 October in Port Arthur, Texas as Milton Ernest Rauschenberg.
1944 Enlisted in the army and stationed at the Marine Corps Base Camp Pendleton rehabilitation unit in San Diego.
1947 Began studying at the Kansas City Art Institute through the GI Bill (for the readjustment of ex-servicemen).
1948 Studied at the art school Académie Julian in Paris. Returned to the USA and enrolled at the Black Mountain College, North Carolina, studying under the artist Josef Albers, erstwhile teacher at the Bauhaus school in Weimar.
1949 Returned to New York, registered at the Art Students League.
1950 Married the artist Susan Weil, whom he had met two years earlier. Their son Christopher was born in
1951, and the couple divorced the following year.
1951 Created his first White Paintings and Black Paintings. Together with Susan Weil created the series Blue Print: Photogram for Mural Decoration. First solo exhibition, at the Betty Parsons Gallery, New York.
1952 Studied under and became friends with John Cage and the choreographer M
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Summary of Robert Rauschenberg
Considered by many to be one of the most influential American artists due to his radical blending of materials and methods, Robert Rauschenberg was a crucial figure in the transition from Abstract Expressionism to later modern movements. One of the key Neo-Dada movement artists, his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists. Although Rauschenberg was the enfant terrible of the art world in the 1950s, he was deeply respected and admired by his predecessors. Despite this admiration, he disagreed with many of their convictions and literally erased their precedent to move forward into new aesthetic territory that reiterated the earlier Dada inquiry into the definition of art.
Accomplishments
- Engaged in questioning the definition of a work of art and the role of the artist, Rauschenberg shifted from a conceptual outlook where the authentic mark of the brushstroke described the artist's inner world towards a reflection on the contemporary world, where an interaction with pop
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