Tippi hedren net worth
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From working for the exacting Alfred Hitchcock to a film written by Edward D. Wood Jr., Tippi Hedren, the Minnesota girl of Scandinavian descent, has had a distinctive career. She was working as a New York fashion model when she married her first husband, four-years-younger Peter Griffith, in 1952 (they divorced in 1960). She gave birth to her only child, future star Melanie Griffith, on August 9, 1957. Alfred Hitchcock discovered Tippi, the pretty cover girl, while viewing a commercial on NBC's Today (1952) show. He put her under personal contract and cast her in The Birds (1963). In a cover article about the movie in Look magazine (Dec. 4, 1962), Hitchcock praised her; he also told the Associated Press: "Tippi Hedren is really remarkable. She's already reaching the lows and highs of terror". Her performance in the film earned her both the Golden Globe award and the Photoplay award as Most Promising Newcomer. Her next film was playing the title role in Hitchcock's Marnie (1964), where she played a challenging and difficult role of a frigid, habitual thief.
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Tippi Hedren Biography
Biographies
Tippi Hedren is best known for her roles in two Alfred Hitchcock films: The Birds (1963) and the psychological thriller Marnie (1964). She is sometimes classified as one of Hitchcock’s “icy blondes,” a sobriquet she shares with Grace Kelly and Kim Novak among others. Her post-Hitchcock films include A Countess from Hong Kong (1967, the last film directed by Charlie Chaplin), The Harrad Experiment (with future son-in-law Don Johnson) and the offbeat comedy I Heart Huckabees (2004, in a small supporting role). Tippi Hedren is a strong animal rights advocate and founder of the Shambala Preserve, a California home for retired animal performers. Her daughter is the actress Melanie Griffith.
Extra credit
Tippi Hedren was born in New Ulm, Minnesota; in the 1988 film Stormy Monday, Melanie Griffith’s character identifies New Ulm as her hometown.
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Something in Common with Tippi Hedren
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Tippi Hedren
Kate Knibbs
Tippi Hedren shouldn’t be alive. Not because she’s old—although she is objectively very old—but because she’s had the sort of rollicking, risk-taking life one might reasonably associate with a shorter amount of time spent on Earth. The 93-year-old actress’s continued existence is as improbable as a chain-smoking tightrope walker becoming a centenarian. You know when the local news interviews one of those tiny wizened ladies who manages to hit a hundred, and they attribute their longevity to something charming but insane, like eating five hard-boiled eggs every full moon, or drinking a whisky sour at exactly two o’clock? Tippi Hedren’s whole life is like one of those anecdotes. She’s been so weird for so long, she could be immortal.
Level One Hedren fans see her as one of Hitchcock’s famous blondes. Not technically wrong. When she appears on red carpets with her daughter, Melanie Griffth, or her granddaughter, Dakota Johnson, Hedren still embodies the platonic ideal of a glossy Hollywood matriarch: still chic, still leggy, still knife-sharp. And
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