Carmignola haydn biography

Born in Treviso, where the Vivaldi renaissance started 50 years ago, Giuliano Carmignola began his violin studies with his father.
Giuliano Carmignola (born 7 July 1951, in Treviso) is an Italian violinist.
Born: 1951 - Treviso.

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Giuliano Carmignola

Italian violinist (born 1951)

Giuliano Carmignola (born 7 July 1951, in Treviso) is an Italian violinist.^[1] Born in Treviso, he studied with his father, then with Luigi Ferro at the Venice Conservatory and afterwards with Nathan Milstein and Franco Gulli at the Accademia Chigiana in Siena, Italy and Henryk Szeryng at the Geneva Conservatory. In 1973, he was awarded a prize in the International Paganini Competition in Genoa.

Career

He began his career as a soloist under the direction of conductors such as Claudio Abbado, Eliahu Inbal, Peter Maag and Giuseppe Sinopoli, performing in prestigious concert halls. He then collaborated with Umberto Benedetti Michelangeli, Daniele Gatti, Andrea Marcon, Christopher Hogwood, Trevor Pinnock, Frans Brüggen, Paul McCreesh, Giovanni Antonini and Ottavio Dantone. Significant was his collaboration with the Virtuosi of Rome during the '70s and later with the Sonatori della gioiosa Marca, the Venice Baroque Orchestra, the Mozart Orchestra, the Orchestre des Champs-Élysées, the Kammerorchester Basel, Il Giard

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Giuliano Carmignola

violinist

About

Born in Treviso, he studied with his father, then with Luigi Ferro and afterwards with Nathan Milstein and Franco Gulli at the Accademia Chigiana and Henryk Szeryng at the Geneva Conservatory. He began his career as a soloist under the direction of conductors such as Claudio Abbado, Eliahu Inbal, Peter Maag and Giuseppe Sinopoli, performing in prestigious concert halls.

He then collaborated with Umberto Benedetti Michelangeli, Daniele Gatti, Andrea Marcon, Christoph Hogwood, Trevor Pinnok, Franz Bruggen, Paul Mc Creesh, Giovanni Antonini and Ottavio Dantone. Significant was his collaboration with the Virtuosi of Rome during the 70's and later with the Sonatori della gioiosa Marca, the Venice Baroque Orchestra, the Mozart Orchestra, the Orchestre des Champs Elysees, the Basel Chamber Orchestra, Il Giardino Armonico, the Zurich Chamber Orchestra and the Academy of Ancient Music.

His recording has led him to collaborate with labels like Erato, Divox Antiqua, Sony and Deutsche Grammophon GmbH, with whom

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Even if Giuliano Carmignola isn’t a member of a biker gang like Brando’s Johnny, the title Vivaldi con moto, chosen after a brainstorming session I had with Italian-speaking and Italy-loving product manager Burkhard Bartsch, reinforces the visual image on the cover, because moto is Italian for motorbike (including the ubiquitous scooter whose buzzing and beeping are as much a part of the Italian soundscape as is the music of Vivaldi or Puccini).

But in a musical context – as DG fans hardly need to be told – con moto is also a tempo designation, one that’s often used to qualify another indication: Andante con moto or Allegro con moto, for example. In the case of Carmignola’s Vivaldi album, “with movement”, to give the phrase its literal translation, represents an artistic flexibility that inspires him to explore different paths in his interpretations. Lack of movement leads to stagnation, while a constant quest for new performance approaches is what keeps music alive. Ceaselessly striving for innovation and creative freedom