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- Pärt has been the most performed living composer in the world for 5 consecutive years.
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The central work in Pärt’s instrumental music, the double concerto Tabula rasa has become one of the cult pieces in the music world and has prompted many composers and musicians, as well as concert audiences, to listen to and understand music in a completely new way. This composition also became a turning point in Arvo Pärt’s career, introducing the expressive possibilities of the tintinnabuli style for the first time in a large-scale musical composition.
Violinist Gidon Kremer has described Tabula rasa as a declaration of silence, a manifesto of concentrating on important things. He has also admitted that this piece changed his life. Manfred Eicher, the head of the record label ECM, has recalled the first time he heard Tabula rasa: driving in a car,…
The central work in Pärt’s instrumental music, the double concerto Tabula rasa has become one of the cult pieces in the music world and has prompted many composers and musicians, as well as concert audiences, to listen to and understand music in a completely new way. This composition also became a turning point in Arvo Pä
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Arvo Pärt Collection
Composer | Arvo Pärt |
Artist | Various artists |
Format | 9 CD |
Cat. number | 96389 |
EAN code | 5028421963891 |
Release | November 2021 |
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About this release
The most comprehensive collection ever issued of Arvo Pärt’s music, surveying the full range of an output from one of t
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Tabula rasa
Arvo Pärt (b.1935)
THE STORY
Estonian composer Arvo Pärt took a vow of public silence from 1968 to 1976, seeking “artistic reorientation.” He emerged from this period with a new compositional style and some of his best-known works, including 1977’s Tabula rasa, meaning “clean slate.”
“Before one says something, perhaps it is better to say nothing,” Pärt proposed. “Ideally, a silent pause is something sacred … If someone approaches silence with love, then this might give birth to music.”
For him, it gave birth to a style that he called “tintinnabulation,” which means that he limited the notes he used in a given work almost exclusively to the pitches of a single scale and its triad, creating a bell-like effect. Perhaps it should not be surprising that the emerging style of a composer who had been silent for nearly a decade would be minimalistic, but the soloists who performed the premiere were taken aback. &ldquo
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